Archive for the ‘Fine Art’ Category

Printing on a Saturday

Sunday, April 18th, 2010

With the nice weather in full swing and the arrival of the weekend, I was able to start and finish my edition of prints for the Oregon Ink Spot 2010 print exchange. The print I made is based on a drawing I did for the MAFAC Exhibit I had at the beginning of the year, yet added in some background decoration and depth. I really like the way it turned out but it’s not 100% perfect. As to be expected with the first print of the year I suppose, have to brush the dust off from the long winter season.

I tried my best to document the process so without further adieu , here are some pictures:

Film Positive

Printed film positive for exposure

Exposed Frame

Exposed frame ready for printing, the yellow parts are what will be printed

Mixed inks

The 3 ink colors I mixed to match my color mockup

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Two colors down, waiting to dry for the third and final color

Printing

Final color flood stroke, almost complete!

Full production

Drying the final prints. I think a total of 20 were made, 3 were duds.

Final

Candlebeams - Edition of 15 - 2010

Finally, one of the songs from the day’s soundtrack:

Like I said, I’m very happy with how they all turned out, and how quickly I was able to print them with very little errors. If I were to do it again, I would thicken up the outline (dark blue) so that more of the fine lines would have printed better. On the screen they looked great but when printed, the ink just didn’t want to squeeze through.

Several things helped me out a ton with this print session: pressure washer, packing tape, mixing knives, and grilling. I look forward to printing a lot more this season. Also, can’t wait to see the prints I get back from this years print exchange.

You’re Un-Stackin’ Your Load

Tuesday, January 5th, 2010

Quicker than I thought, I managed to package up 50 postcard packs which include 4 unique postcards based on some new drawings I’ve done for my upcoming show.

The finish on them came out really well, being 100% recycled paper and soy based inks, I had no idea how it would look but I’m certainly impressed. I will be selling them at the show but soon will post them up on my Etsy shop.

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"Re: Stacks"

I also received the collaborative piece that I had my friend Kasey work on. I’m super excited about it and I think it’s going to look perfect in the exhibit. Can’t wait to show people. The show goes up this Saturday so in a few days following that (after the reception) I will post all of the images in my portfolio.

Where Do My Feet Lead To This Time?

Saturday, December 12th, 2009

One problem I face all too often is dropping a pen or accidentally gliding my hand across a drawing too quickly only to end up drawing a line I never intended. I get so aggrivated and usually end up drawing something else in that spot to ‘hide’ the mistake.

Unfortunately, one of these mishaps occurred with a large drawing that I had mostly finished and ready to frame. I obviously didn’t want to add anything to it since it was complete, so I set out to experiment and ‘erase’ the ink as best as I could. I knew I was taking a big risk by doing it, worst case scenario I end up making a small spot a giant blob… but I had a couple of ideas.

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Ink spots and paper scarring from the attempted removal

On thicker, more durable papers, I’ve tried sandpaper at a very high grit gently rubbing away the spot. This works but usually ends up with a little pot-hole in the page. If light hits it, it creates a slight shadow. I then thought of using an x-acto blade to do the same thing, gently sliding it back and forth over the paper to grind away the ink. The benefit to this is that it’s ultimately precise. Instead of a pad of sandpaper, the blade can remove small pinpoint areas without leaving any grinding or tearing marks.

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Holding the blade flush to the paper to buff out the marks

The trick was to hold it almost flat against the page, like you would if you wanted to cut the paper, but instead of pulling the blade, I pressed down slightly and then wiggled back and forth, rotating the paper to create a nice blended removal. It worked! Some extremely unsightly spots were instantly removed and I was pretty impressed. I thought I was just going to have to live with the mistake and hope no one would focus too much on it, but not anymore!

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Almost no visible marks from the accidental ink spots and slightly less paper scarring

The downfall of this technique is that it will most likely only work on thicker papers, and since I use copy paper most of the time, it’s not the best solution. However, it’s definitely worth some experimenting!

…Just Cleanin’ My Guns

Monday, June 8th, 2009
Registration was off quite a bit here, who’s at fault, me or the hinges?

Registration Deadline Has Ended?!


I tried a two color print again and this time had much better success than I’ve had before. However, I am still suffering from poor registration and I have to believe the hinges are at fault. Once the screen is inserted the hinges allow it to shift about 1/8″ each way, left and right, creating a total of about 1/4″ error. Some prints may be perfect in registration, others may be off by that small amount. However, the entire print is never completely off, it’s limited to the top or bottom… which is why the hinge skewing the frame is throwing up a red flag.

The Fix


I’m thinking about getting a set of clamps from Diesel Fuel Prints based in Seattle, WA. I trust what these guys sell because I believe they use the products themselves and produce some pretty bitchin’ work.

On almost all prints, the registration was extremely solid on the bottom half.

On a positive note


This is one of my best experiences with color matching and mixing of process inks. I’ve mixed paints and other inks before but I’ve never tried to match a color to an existing color. I was pretty happy with the way they turned out, and I’m glad I mixed plenty of ink and I look forward to when I have a good stockpile of a variety of ink colors.

Wen U Gat Time

Thursday, May 21st, 2009
My friend Eric Oss and I got the opportunity to put up a variety of our works from the 2009 school year in the Whipple Art Gallery at SMSU. It was an extremely spur of the moment show and we were wanting to do it right, and I think we were pretty satisfied with how everything turned out.

My wall of 8×10 screen prints.

I put up 9 all new works, including a diptych I had been working on over the semester: a drawing of two identical coin like objects with semi-mirrored birds. Also, Eric and I collaborated on two pieces, combining and destroying our film positives and making two large prints and then hand illustrating over the tops of them.

Back wall of the gallery. Left: my two drawings, Right: our two collaborative prints.

I wish we would have had more time to make it something we were 110% proud of, but I think the spontaneity of it made it a lot of fun. Also, after collaborating on a piece, I wish we would have done more collaborative work together, hoping we can start something long-distance in the future.

Thanks to Rebbecca Benson for helping us and setting us up for the show!

And He Has A Really High Pitched Voice!

Sunday, April 26th, 2009

I finally got down to business and tried to print another two color print. This is my second attempt and I think it turned out much better than the first. Registration was almost spot on (compared to my other attempts) and it printed really well.

Second attempt at a two color print, black and gray on white paper.


Getting the hang of how to push and pull the ink around is definitely something that will take time, but I think progress has been made. With this print I just need to mix up the appropriate colors for the design and print away. I’ll post more as I finish up.